A Closer Look At
The Willesden.
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Three moments
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one detail at a time.
Fluted Oak Run
A single contiguous wall of vertically-fluted European oak, hand-finished with a soft wax. Every fixture and appliance is hidden behind it.
Chapter I
The Brief.
A working kitchen for a Georgian terrace, set inside a single contiguous run of fluted European oak. The brief was to make the room feel quieter than the street outside — a single material, one tone of stone, no visible appliances.
The Palette
A handful of materials, allowed to age.
A quiet study in contrast — pale joinery set against dark stone, warm parquet underfoot. Every material was chosen to deepen with use — the room is expected to look better in ten years than it does today.
Reclaimed European oak laid in a tight chevron, finished in a hard wax that lets the grain hold light. The warmth of the floor is what carries the room.
Ovens, fridge and dishwasher sit flush behind matched cream fronts. Nothing branded, nothing visible — the wall is allowed to read as a single quiet plane.
Worktops in honed Nero Marquina, finished matte so the marble drinks the light rather than reflecting it. Edges are softened by hand.
Tapware and hardware in unlacquered brass, allowed to dull and mark with use. The brief was to let the metal age in step with the kitchen.
No visible handles or trim. A continuous 6mm shadow gap runs the height of every door, giving the panelling its rhythm and the room its discipline.
Low brass picture lights and concealed under-shelf strips at 2400K. Work surfaces are lit warm and close; no ceiling downlights flatten the joinery.
A Note From The Studio
“We wanted the room to feel as though it had always been there — as if the house had simply remembered what it was for.”
STUDIO PROJECTS · DESIGN DIRECTOR
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Commission your own Willesden.
Each collection is a starting point, not a catalogue. We work from first sketch to final fitting, with no two rooms alike.
